{"id":2458,"date":"2026-02-23T16:07:37","date_gmt":"2026-02-23T16:07:37","guid":{"rendered":"https:\/\/www.fnights.com\/?page_id=2458"},"modified":"2026-02-23T17:12:26","modified_gmt":"2026-02-23T17:12:26","slug":"project-concert-of-arts","status":"publish","type":"page","link":"https:\/\/www.fnights.com\/en\/project-concert-of-arts\/","title":{"rendered":"Project Concert of Arts"},"content":{"rendered":"
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\n\t\t\t\t\tconcert of arts<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The museum transforms into a stage where the audience becomes part of the performance.<\/p>

We present eclectic artistic concepts to try to unite these different forms of art. The immersive performance creates a dialogue of music, visual art, theater, dance and fashion.<\/p>

We promote young talent and let them perform at the same event with established artists and musicians.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Bet Alpha 2023<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The Concept:<\/p>

Listen:<\/strong>\u00a0Listen, Atrium
Feel:<\/strong>\u00a0The Melting World, Plateau 1
See:<\/strong>\u00a0La Muse and La Mode, Plateau 2<\/p>

The immersive sound installation \u201cEverything we see could also be different\u201d by the artist duo AROTIN & SERGHEI opens the viewer's space to infinity with Ludwig Wittgenstein's sentence - a connection between the themes and locations of the exhibition and festival.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Concert of Arts<\/br>01.10.2023<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Music:\u00a0<\/strong>Bach, Sarasate, Revich u.a.<\/p>

  • Yury Revich and Project OLARIO<\/strong><\/li>
  • Mariko Hara<\/strong>\u00a0(Viola)<\/li>
  • Basha Slavinska<\/strong>\u00a0\u00a0(Accordion)<\/li>
  • Simone Sgarbanti\u00a0<\/strong>\u00a0(Piano)<\/li>
  • Manaho Shimokawa<\/strong>\u00a0(Dance)<\/li>
  • Martin Tardy<\/strong>\u00a0(Live-Painting)<\/li>
  • Julian Rehrl<\/strong>\u00a0(Theatre)<\/li>
  • Andro and Keta Bart, Daria Bereziuk<\/strong>
    (La Muse and La Mode:\u00a0Concept, Art Direction, Set Design)<\/li>
  • Godwin Merano und Nora Einwaller<\/strong>\u00a0(Performance)<\/li>
  • and Special Guests<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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    Music:<\/strong> Paganini, Vivaldi, Revich et al<\/p>

    • Yury Revich<\/strong> and project OLARIO<\/strong><\/li>
    • Philipp Hochmair<\/strong> (Theatre)<\/li>
    • Markus Freist\u00e4tter<\/strong> (Theatre)<\/li>
    • Mariko Hara<\/strong> (Viola)<\/li>
    • Basha Slavinska<\/strong> (Accordion)<\/li>
    • Ad\u00e8le Clermont<\/strong> (Vocals)<\/li>
    • Manaho Shimokawa<\/strong> and Cat Jimenez<\/strong> (Dance)<\/li>
    • Martin Tardy<\/strong> (Live-Painting)<\/li>
    • Andro<\/strong> and Keta Bart<\/strong>, Daria Bereziuk<\/strong>
      (La Muse and La Mode: Concept, Art Direction, Set Design)<\/li><\/ul><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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      Concert of Arts<\/br>03.10.2023<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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      Concert of Arts<\/br>06.10.2023<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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      Music:<\/strong> Beethoven, Gershwin-Frolov, Revich et al<\/p>

      powered by MED-EL<\/p>

      • Yury Revich<\/strong> and project OLARIO<\/strong><\/li>
      • Mariko Hara<\/strong> (Viola)<\/li>
      • Basha Slavinska<\/strong> (Accordion)<\/li>
      • Anton Gerzenberg<\/strong> (Piano)<\/li>
      • Cat Jimenez<\/strong> (Dance)<\/li>
      • Aleksandr Chen<\/strong> (Theatre)<\/li>
      • Martin Tardy<\/strong> (Live-Painting)<\/li>
      • Andro<\/strong> and Keta Bart<\/strong>, Daria Bereziuk<\/strong>
        (La Muse and La Mode: Concept, Art Direction, Set Design)<\/li>
      • Shalva Nikvashvili<\/strong> (Performance)<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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        Bet Alpha 2023<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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        The Exhibition<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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        The Bet Alpha exhibition includes a series of video installations and spatial projections that occupy the Villa Mautner-J\u00e4ger for a week as a kind of urban storm or makeshift fair. The name is borrowed from Kibbutz Bet Alpha in northern Israel. The presentation revolves around the idea of \u200b\u200b\u201cexhibition as place\u201d, which amounts to the experience of both a concrete and an abstract location. The title refers to an original state (in Hebrew, \u201cBet Alpha\u201d stands for House Alpha) as well as a disruptive framework (if read as the inverse of the word alphabet).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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        30.9.2023, 17:00<\/strong>
        Talk with Miros\u0142aw Balka, Marie-\u00c8ve Lafontaine and Ory Dessau<\/p>

        30.9.2023, 19:30\u00a0<\/strong>
        Vernissage (by invitation only)<\/p>

        7.10.2023, 17:00<\/strong>
        Talk with Amos Gita\u00ef and Ory Dessau.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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        The Artists<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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        Allora & Calzadilla\u00a0<\/p>

        Miros\u0142aw Ba\u0142ka<\/p>

        Marianne Berenhaut<\/p>

        Agnieszka Brze\u017ca\u0144ska\u00a0<\/p>

        Ira Eduardovna\u00a0<\/p>

        Michel Fran\u00e7ois<\/p>

        Lior Gal,\u00a0<\/p>

        Amos Gita\u00ef<\/p>

        Douglas Gordon<\/p>

        Danielle Kaganov\u00a0<\/p>

        Sharon Lockhart<\/p>

        Efrat Natan<\/p>

        Shirin Neshat<\/p>

        Samir Odeh-Tamimi\u00a0<\/p>

        Pier Paolo Pasolini<\/p>

        Nira Pereg<\/p>

        Buky Schwartz\u00a0<\/p>

        Miri Segal<\/p>

        Peter Welz<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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        Bet Alpha wants to transform an existing architecture into a sequence of spaces created through screens and screens. Through the use of projections and film and video screenings, the physical reality of the place is hidden, literally shielded, but also brings to the fore the question of how an open and difficult to grasp historical-social reality can be accessed at all. Oscillating between documentary representation and elaborate fantasy, fiction and optical illusion, Bet Alpha repeatedly shows Pier Paolo Pasolini's documentary Site Visits in Palestine (Sopralloughi in Palestina) from 1963 at various points, made during the legendary filmmaker's preparations for his groundbreaking film The 1st Gospel - Matthew (Il Vangelo Secondo Matteo) from 1964. The documentary offers an original view of the then-fledgling land of Israel and conveys the director's reflections on the state of the biblical landscape as a melting pot of distant and recent pasts.\u00a0<\/p>

        The exhibition unfolds across a wide spectrum of projected structures in space, from cinema to video and recorded performance. It contains works by twenty artists with very different backgrounds. In the movement between the rooms, Bet Alpha itself becomes a kind of film that is irregularly cut and re-cut in real time depending on the visitors' movements. Bet Alpha moves back and forth between the real and the imaginary, the material and the virtual, through different forms of projection and display, as well as some sculptural interventions. These sculptural interventions represent the entirely material pole of Bet Alpha, anchoring the presentation in a physical ground that is continually abandoned and rediscovered. \u00a0<\/p>

        Bet Alpha amounts to an experience that transforms Villa Mautner-J\u00e4ger into a refuge, an enclave separated from its surroundings, the urban, communal fabric in which it is embedded. Bet Alpha treats the villa as a place for daydreaming, as a launching pad for events and situations that transcend and overcome the historical present - that is, the generally established, or rather ideologically hegemonic, everyday reality.\u00a0 \u00a0<\/p>

        Organized in collaboration with the Kira A. Princess of Prussia Foundation and curated by Ory Dessau.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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        <\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

        concert of arts Das Museum verwandelt sich in eine B\u00fchne, auf der das Publikum Teil der Auff\u00fchrung wird. Wir pr\u00e4sentieren vielseitige k\u00fcnstlerische Konzepte, um zu versuchen, diese verschiedenen Formen der Kunst zu vereinen. Die immersive Performance schafft einen Dialog aus\u00a0Musik, bildender Kunst, Theater, Tanz und Mode. Wir f\u00f6rdern Nachwuchstalente und lassen sie mit etablierten K\u00fcnstler:innen […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2458","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.fnights.com\/en\/wp-json\/wp\/v2\/pages\/2458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fnights.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.fnights.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.fnights.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fnights.com\/en\/wp-json\/wp\/v2\/comments?post=2458"}],"version-history":[{"count":13,"href":"https:\/\/www.fnights.com\/en\/wp-json\/wp\/v2\/pages\/2458\/revisions"}],"predecessor-version":[{"id":2472,"href":"https:\/\/www.fnights.com\/en\/wp-json\/wp\/v2\/pages\/2458\/revisions\/2472"}],"wp:attachment":[{"href":"https:\/\/www.fnights.com\/en\/wp-json\/wp\/v2\/media?parent=2458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}